Monthly Archives: November 2007

New Cloverfield trailer

Who knows if this will be good or not. I originally thought that J.J. Abrams was directing but apparently he is producing. Big difference there. This was “produced” by Steven Spielberg.
Still, it looks intriguing. I like that you don’t see the monster (or whatever is killing Manhattan) and that the viewer seems to share in the characters’ ignorance. That is one of my favorite aspects of Lost. Cloverfield is written by a Lost guy, Drew Goddard, so it could be cool. Though let’s hope all of the build-up doesn’t culminate in a monster as lame as this:
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Uf! That was a buzzkill.

(PS it’s the little green man from Signs)

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Filed under j.j. abrams, Lost, signs

Getting out of jury duty

How to get out of jury duty.
I haven’t served yet. I almost had to, but it was the California court system that wanted me to serve and I had already been living in New York for a few years.
I do have a real, honest reason for getting out of jury duty, but I could easily see it not working: I am an anarchist. I don’t believe in prisons. I would never vote guilty on anyone, no matter how harsh the crime.
I rue the day that I have to explain my philosophy to an impatient group of jurors wanting to get home to their families and deliver a prompt guilty verdict to an obviously guilty person of a violent crime.
That is why I should never serve.

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Filed under jury duty, mental floss

you don’t need it.

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New “anti-ad” in Oakland, Ca.
I used to be into the idea of culture jamming. I bought Adbusters and shit. Then I kind of realized that it is just another way for people to feel better about themselves, by illustrating that they themselves are not susceptible to the tyranny of advertising. And, of course, in their limitless grace, they will extend a hand to guide you to the true path.

Fuck that. Why not just make a sign that says “I’m better than you.”.

Ok, while I may not “need” my third vinyl copy of Linda Ronstadt’s Get Closer, I want it. I want it bad.

Because,

A. One can never own enough versions of Kate McGarrigle’s Talk to Me of Mendocino.

and

B. The cover, featuring Linda in a red polka-dot dress (!) folds out. So I obviously need one to display, one to listen to, and one to keep in my collection. Duh!

PS feast your eyes on Mafoo’s extravagant decadence anti-consumerists! Allow Linda’s airbrushed blush to seduce you into the alluring world of excess!

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Filed under kate mcgarrigle, linda ronstadt, mendocino

Strikes

I haven’t really been deeply researching the motives behind the recent strikes, but in my limited knowledge:

I sympathize with the writers

but the stagehands can eat a dick.

Every since I began playing in the larger halls in NYC, the only real culture shock (a la “you’re in the big leagues now boy, get used to it!”) has been dealing with the stagehands. They are the most joyless, spoiled, bureaucratic stagehands I have ever met. Each time I play a venue outside of New York I am shocked at how down to earth and easy to work with the stagehands are. I have gotten used to the mentality of not being able to move your own stand and speaking through 4 people to get anything done, not to mention the surly attitudes and the fact that there are always extra stagehands present at almost every gig getting paid to literally do nothing.

But not to unfairly disparage the production level of things, the musicians union is nearly as bad. There I said it.

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Filed under local 802, stagehands, strike, writer's strike

Recursive hypocrisy

Gurf tipped me to this curiously meta posting on Alternet featuring video of Keith Olbermann criticizing Fox News and Bill O’Reilly on his show for showing somewhat explicit images under the guise of denouncing it, whilst obviously using the material in a sensationalist manner. Well yes, Fox News is really no better than those hilarious, in retrospect I’m sure, exploitation films from the 30s. But, Keith Olbermann shows the same material in his segment that criticizes O’Reilly for showing it. Couldn’t one argue that he is just exploiting the material under the guise of denouncing O’Reilly. And perhaps I am just exploiting the material under the guise of denouncing Olbermann’s hypocrisy. Quick, someone jump on the meta-wagon and denounce me for some reason as an excuse to link to the sexy material which shows, for example, sexy spring break footage during a story about a serial killer. See? Don’t you wanna check out the story now?

Hey maybe plenty of people will be interested in my recursive-hypocrisy idea and will start reading my blog more. Then I can be accused of exploiting my own idea for the goal of receiving more hits on my blog. And if all goes as planned someone will denounce the accuser for trying to leach onto my success. Then I will criticize that person for being overly cynical under the guise of appearing open to criticism, but my sinister motive will be that I really just want to appear open-minded, when all I really want to do is gain enough hits so that I can start featuring advertising on my blog to receive some revenue. I’ll decide that the quickest and dirtiest way to get some cash will be to feature ads for pornographic material. I’ll be featured in an O’Reilly Factor segment on bloggers who try to cash in on their success by featuring explicit ads, banners, and pop-ups on their blogs. The segment will be called exploitative by Keith Olbermann.

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Filed under keith olbermann, o'reilly factor

Road with a tune

Only in Japan.

-via Presurfer

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Filed under Uncategorized

Tin Man

I took a closer look at those Tin Man posters in the subway and noticed some familiar faces: Zooey Deschanel, Alan Cummins, Neal McDonough… It looks pretty interesting actually, a re-imagining of OZ by the Sci-Fi Channel for a mini-series. I’m going to keep my eye on this. The last time Sci-Fi had a re-imagining mini-series with a stellar cast we received the incredible new Battlestar Galactica.

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Filed under sci fi channel, tin man

Up late thinking about Southland Tales (among other things)

Wow. That’s all I can really say right now. I saw Southland Tales at the Angelika tonight. Hardly anyone was there, I’m pretty sure it will turn out to be a financial flop. It’s too bad but honestly, it is one of the strangest, most mind-boggling films I have ever seen, and if you know me that is saying a lot. I really believe it is way too far out for its time. I came into the theater with several years worth of intense expectation, which is usually a bad thing, but it exceeded my expectations. It was more of everything that I hoped, and worried, it would be. It is lamentable, bbut unsurprising that so many critics fail to see deeper into the film. It is definitely convoluted, but it reaches plateaus of expression and spectacle that even the most experimental Lynch film cannot. It’s somewhere along the lines of Lynch meets Korine meets Waters meets the fucking Disney Channel. And even that blunt comparison fails to adequately describe it.
My persistent worry is that Southland Tales will become Richard Kelly’s Heaven’s Gate, that the debacle surrounding the movie will discourage producers from working with him. If he can reign in some of his vision he could be making truly monumental work.
I’ll post a thorough review tomorrow. One thing I’ll say though. I believe you can only really appreciate this movie as a media-saturated, sarcasm-bred American young adult.

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Filed under Richard Kelly, Southland Tales

Stage Presence and the Halo Effect

All performers, especially soloists, need to be aware of The Halo Effect. It has always been a struggle for me to maintain an air of confidence, especially when a performance is going less-than-stellar. This provides a psychological reason for why you should never let your body language or facial expression betray your inner fears, doubts, or regrets during a performance. People will enjoy a performance more if they are comfortable with what they are perceiving visually.

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Filed under performance anxiety

It’s Terminatin’ time!

This and then this. Coincidence? I don’t think so.

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Filed under Sarah Connor Chronicles, skynet, terminator